Kino Oyasumi

Reviews

late night reviews and rants about film and other media

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review · 6/10

It Was Just An Accident

I did enjoy this and given the context of the director think it is a valiant work, but do have some gripes with it.

review · 6/10

Sirāt

Ambitious in its bleak, oppressive portrayal of decisions gone wrong and a group of tortured souls in way over their head as the whole world around them keeps falling apart.

review · 6/10 · Berlinale

What Does That Nature Say to You

A gentle, artistic boyfriend postpones meeting his girlfriend's parents out of fear of rejection and clashing expectations. When it finally happens, awkward, stifled laughter and superficial conversations make place for the inevitable after a few drinks too many.

review · 6/10

Juror #2

Overly borrows from 12 Angry Men and never reaches the heights or ambiguity of Anatomy of a Fall.

review · 6/10

Kinds of Kindness

Kind of Works, but not really.

review · 6/10

Civil War

Essentially a Last of Us-style zombie roadmovie, a genre that is already practically one layer of abstraction away from what this film explores, Civil War is a provocative film, but ultimately too shallow.

review · 6/10

Monster

Monster, the newest film by one of Japan's finest contemporary directors, is, as always, another treat in the classic Kore-eda social drama style.

review · 6/10 · TIFF

Full River Red

Zhang Yimou has crafted a wide variety of brilliant films ranging from historical and societal dramas to wuxia action thrillers. This is not one of them. What it is, however, is a fun historical whodunnit comedy thriller with strong nationalist undertones.

review · 6/10

Barbie: Not Actually Kenough

Barbie is brazenly feminist, but it is a white, liberal, gen-X type of feminism that neglects any form of intersectionality or class-analysis.

review · 6/10 · Berlinale

Suzume: Weathering With Your Name

Although a significant improvement over his previous release (the abysmal 2019 Weathering with You), Shinkai is reluctant to deviate from the formula that made Your Name such a success, and I felt that despite all-out nice performances, the film and its emotional payoff is particularly held back by his least memorable protagonist yet.

review · 5.5/10 · Berlinale

Safe Exit

Flawed festival bait by upper-class Egyptians (Egypt vs Masr) that fails to invoke any meaningful societal criticism or humanize those that are increasingly alienated.

review · 5/10

Mārama

I really wanted to like this both as an anti-colonial critique and as a 'good for her cinematic universe' revenge story but unfortunately the more I think about it the more it comes apart at the seams.