Kino Oyasumi

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34 entries tagged favorite

review · 10/10

Perfect Days

In Perfect Days, an aging restroom cleaner finds daily, fleeting moments of happiness through a mindful awareness of beauty in chance encounters and his temporal surroundings, yet can never truly hide a deep underlying sadness.

review · 9/10

Evil Does Not Exist

Starting of as a slow, contemplative exploration of a small, rural community faced with an ecological disruption at the hands of an ill-planned and predatory development project, Hamaguchi's Evil Does Not Exist is tense, layered and never overexplains itself.

review · 6/10

Monster

Monster, the newest film by one of Japan's finest contemporary directors, is, as always, another treat in the classic Kore-eda social drama style.

review · 7.5/10

Godzilla Minus One

Undeniably nationalist, nevertheless a lot of fun.

review · 8/10

The Boy and The Heron

At times a whimsical adventure, The Boy and the Heron is fundamentally about dealing with grief, trauma and human agency.

review · 7/10 · TIFF

Blue Giant

Blue Giant, an animated adaption of the eponymous graphic novel chronicling the rise of a starting Jazz musician, is a wonderful and sometimes moving love letter to Jazz, elevated by a brilliant soundtrack composed and performed by the ever so talented Uehara Hiromi.

review · 10/10

Killers of The Flower Moon

Martin Scorsese's newest film, the epic true crime drama Killers of the Flower Moon, is an absolute highlight in an already unparalleled career.

review · 8/10

Past Lives: Even a Broken Clock is Right Twice a Day

Past Lives, doesn't pack any surprises in its storytelling but there's a kind of melancholic poetry to its visual language that I haven't seen since the 'Before' Trilogy. Quite a strong debut for its director Celine Song, but it doesn't come without caveats.

review · 7.5/10

Asteroid City

More so than than his previous films, Wes Anderson's newest film, superficially a story-within-a-story focusing on one hand on a ragtag ensemble cast in a retro scifi play, and on the other hand on that play's lead writer and its lead cast, may come over as just a handful of colorful vignettes forming a pastiche of postmodernist cinema.

review · 8/10

Broker

Another Kore-eda hit.