review
Perfect Days
In Perfect Days, an aging restroom cleaner finds daily, fleeting moments of happiness through a mindful awareness of beauty in chance encounters and his temporal surroundings, yet can never truly hide a deep underlying sadness.
34 entries tagged favorite
review
In Perfect Days, an aging restroom cleaner finds daily, fleeting moments of happiness through a mindful awareness of beauty in chance encounters and his temporal surroundings, yet can never truly hide a deep underlying sadness.
review
Starting of as a slow, contemplative exploration of a small, rural community faced with an ecological disruption at the hands of an ill-planned and predatory development project, Hamaguchi's Evil Does Not Exist is tense, layered and never overexplains itself.
review
Monster, the newest film by one of Japan's finest contemporary directors, is, as always, another treat in the classic Kore-eda social drama style.
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At times a whimsical adventure, The Boy and the Heron is fundamentally about dealing with grief, trauma and human agency.
review · TIFF
Blue Giant, an animated adaption of the eponymous graphic novel chronicling the rise of a starting Jazz musician, is a wonderful and sometimes moving love letter to Jazz, elevated by a brilliant soundtrack composed and performed by the ever so talented Uehara Hiromi.
review
Martin Scorsese's newest film, the epic true crime drama Killers of the Flower Moon, is an absolute highlight in an already unparalleled career.
review
Past Lives, doesn't pack any surprises in its storytelling but there's a kind of melancholic poetry to its visual language that I haven't seen since the 'Before' Trilogy. Quite a strong debut for its director Celine Song, but it doesn't come without caveats.
review
More so than than his previous films, Wes Anderson's newest film, superficially a story-within-a-story focusing on one hand on a ragtag ensemble cast in a retro scifi play, and on the other hand on that play's lead writer and its lead cast, may come over as just a handful of colorful vignettes forming a pastiche of postmodernist cinema.